P Residence 皮宅
該案帶有點實驗性質,挑戰以往對作品力求完整性和經驗上主觀的設計理念。而是由使用者來參與部分施工,藉此平等地看待專業/業餘、設計師/業主,表達對立面並存的可能性。
遂利用常見於工地或裝潢階段使用的夾板,並由業主參與工程,實地親手打磨樓版原有的粉刷層,加上由施工單位使用重機具將裸露的rc樑鑿出粗獷質地,盡可能呈現材質被還原(再現)的顏色。搭配空曠的室內,為居住者營造出未經處理、尚未完工而充滿變動可能性的住宅空間。
設 計 者/翁梓富
參 與 者/林采雯
攝 影 者/墨田工作室
空間性質/住家
坐落位置/台灣台北市
主要材料/優的鋼石、鐵件、夾板
面 積/12坪
設計時間/2022年9月至2023年2月
施工時間/2022年11月至2023年4月
This project was slightly experimental, challenging the traditional design philosophy that emphasized the completeness of a project and the subjective experience of designers. It involved the user in the construction process, viewing professionals and amateurs, and designers and clients as equals to convey the possibility of the coexistence of opposites.
Plywood, commonly used at construction sites and during the renovation process, was employed. During the construction process, the client was responsible for polishing the existing cement finish of the plate, while the construction team used heavy machinery to chisel the exposed reinforced concrete (RC) beams, revealing a rough texture and enhancing the original color of the material as much as possible. Combined with the expansive interior, this design creates a raw, incomplete residential space infused with flexibility and possibilities.
Designer/Jeff Weng
Participants/Lina Lin
Photographer/Moooten Studio
Nature of Space/Residential Space
Location /Taipei City, Taiwan
影片收錄
100室內設計
書籍收錄
[WABISABI 侘寂雜誌18期]