IT’s house 伊莎與泰德還有貓的家

該項目是一個室內面積僅有36.5㎡，但屋高有3.9公尺挑高的小公寓。
前屋主大量利用挑高空間來建造夾層，空間上雖然獲得較多的使用面積，但也因此顯得幽暗擁擠，產生不舒適的壓迫感。
我們解決的方式是希望可以引入更多的採光，藉由透進來的光線讓原本狹小侷促的屋內變得更輕透，來減少壓迫感。
因此我們拆除了大部分緊臨窗戶的夾層，讓樓板退縮，確保採光面有垂直發展的空間。
內部建材的挑選及色彩計畫以開放和輕盈的感覺為基礎，樺木夾板與水泥階梯堆疊出服務核，構成全室主要的垂直視覺。
入口處圓形儲物櫃則是水平視覺的聚焦點，其金屬邊框與樓梯扶手展現出親切溫柔的線條。結合灰泥手工抹鏝的雕塑感，表達出精緻而輕鬆､簡單而樸實的設計語言。

設 計 者／翁梓富
參 與 者／林采雯
攝 影 者／揅空間工作室
空間性質／住宅
坐落位置／台灣台北市
主要材料／礦物塗料、樺木夾板、鐵件
面 積／12坪
設計時間／2020年9月至2020年12月
施工時間／2021年1月至2021年9月

The project is a small apartment with an indoor area of merely 36.5 square meters with a high ceiling of 3.9 meters. The former house owner used the high ceiling layout to accommodate a mezzanine. Although the design allowed more usable floor area, the overall space appeared dark and crowded, creating an uncomfortable feeling of oppression.

We intend to bring in more natural light as a solution. The light coming in will make the previously small and cramped indoor space appear lighter and less oppressive.

Therefore, we removed most of the mezzanine next to the windows and had the mezzanine floor recede to ensure enough vertical space to allow sunlight to enter. Interior building materials and color schemes were selected in a way that would create an atmosphere of openness and lightness.

The service core consisting of stacked birch plywood and cement staircases serves as the main vertical visual of the whole room; the circular storage closet at the entrance serves as the horizontal focal point.

The soft and gentle outline of its metallic frame and the staircase handrails combined with the sculptural quality of the hand-troweled plaster demonstrates a delicate, relaxed, minimal, and chaste aesthetic.

Designer/Jeff Weng
Participants/Lina Lin
Photographer/Millspace & Workpaperpress
Nature of Space/ Residential Space
Location /Taipei City, Taiwan

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Never Too Small

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[WABISABI 侘寂雜誌02期]
[Never Too Small Vol.2]